So does the electronic ND. The grip offers a joystick for menu navigation and, of course, a record button. Live stream from any event thanks to a choice of Wi-Fi or built-in wired LAN. Ver 4.03 (Functionally, it is the same as the Ver 4.00.) Like we do with every camera that comes through the Videomaker Labs, we tested the FS5 II’s low light performance, rolling shutter effect and moiré. On the other hand, part of the benefit from the newer S-log3 is its capability to work with more than 14 stops of dynamic range, so its advantages are wasted on cameras with a smaller dynamic range. The FS5 II is the obvious next step when moving out from behind the photo first camera that can shoot video to a camera designed specifically for video capture. This will allow you to understand what kind of low light performance the camera offers. FS5 II’s E-Mount can take cinema lenses and SLR lenses with a third-party adaptor, as well as Sony’s E-mount and A-mount lenses. We found it pleasing, though we also liked the color from the original FS5. There’s also an additional nine Picture Profiles, including ones customised for S-Log2, S-Log3 and a profile specifically tuned to provide vibrant, high contrast visuals for creators who desire a DSLR-style look. It’s a tug of war between the $3,500 … Keep that in mind as we cover the competing cameras. Even when changing resolutions and formats, the restart of the camera was quick. Today, you can also pair the FS5 II with the Convergent Design Odyssey 7Q for the same functionality. Some won’t take advantage of the ProRes RAW option because the format can currently only be edited in Final Cut Pro X. Nouveau look pour une créativité sans limite : La FS5 II est une caméra de poing Super 35 mm de Sony qui propose des images 4K HDR et … Chris Monlux Videomaker's Multimedia Editor. Choose from XAVC QFHD for UHD 4K or XAVC HD and AVCHD for HD. If you have a great idea you’d like to share with our readers, send it to New look for unbounded creativity: FS5 II is Sony’s Super35 handheld camcorder with stunning 4K HDR and 120fps performance. The Sony FS5 II is no revolution from the prior version, however, it’s still one hell of a camera. Everything about this camera is quick, meaning it’s ready for just about any shooting situation its thrown in to. Sony’s Exmor CMOS design provides high-speed full-pixel read-out capability (without pixel binning) and sophisticated camera processing to ensure jaggies and moiré are minimised. Lightweight but robust, FS5 II is an endlessly adaptable camcorder for capturing breath-taking imagery anywhere the action takes you. Sony FS5 II. Be first with breaking news thanks to a built-in wired LAN jack for high-speed FTP transfer of full resolution content. 709 and BT-2020, Dual XQD Memory Card Slots, Dual HD/3G-SDI and HDMI Output, Ergonomic … Both the original FS5 and the FS5 II have become common names found in … Each profile can be individually adjusted to suit your specific requirements and switched between in seconds. If you are using a camera with a servo-controlled zoom, there is a rocker for your fingertips. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light.*. Panning the camera from left to right shows if vertical lines bend from the rolling shutter. Last is the Blackmagic Design Ursa Mini Pro 4.6K, priced at $6,000. FS5 II features Sony’s unique built-in electronic variable Neutral Density (ND) filter, further expanding the depth of field capability of its large format sensor. The only catch is that frame rates higher than 60 fps have lower and lower quality up to 960fps. Besides the new color science designed to improve the already existing picture profiles alongside the new 4K/120fps 4-second burst mode, there weren’t indeed many other significant updates that the FS5 II … The internal capture was good, too, but video captured externally was exceptional. The Sony FS5 II adds in mechanical 2, 4 and 6 stop ND for even quicker operation. Partner with us to reach an enthusiastic audience of students, enthusiasts and professional videographers and filmmakers. Also, those high frame rates have a limited record time, though many things you want to capture in high frame rates only last a few seconds anyway. By doubling the ISO, we are able to see the performance at every stop. It also lets you pick out footage at exactly the point that you want. Alister Chapman explains why RAW is a big deal for Sony’s PXW-FS5. The refurbished FS5’s do come with a limited 1-year warranty which is nice. The values for dimensions are approximate. CES 2019 was no exception. Lastly, you can capture proxies and full res video at the same time by recording to both of the card slots simultaneously. Add $1,300 to account for the cost of a Shogun Inferno to the FS5 II’s base cost of $4,750, and that’s a total of $6,050 to get 10-bit video. 8-second cache recording on to SDXC card means no more mistimed shots leading to extra takes. You have entered an incorrect email address! Here is the rub with having to use the Shogun Inferno or Odessey 7Q to capture better video: It’s bigger than what’s needed. Despite its amazingly light 0.8kg body, FS5 II is more than tough enough for the rigours of real-world shooting. With the Shogun Inferno and an FS5 II, you can capture up to 10-bit ProRes RAW. The grip is wonderful to use. For on the go shooters like documentarians, wedding and event videographers and news gathers, the FS5 II is a lightweight choice. With AtomHDR and Sony’s Slog 2 & Slog 3 you can monitor the RAW output with 10+ Stops of dynamic range in real time for more accurate monitoring & accurate exposure control. Built-in NFC supports one-touch authentication possible with appropriate devices. 4K resolution: 11.6 million total pixels and 8.8 million* effective pixels deliver 4K resolution. Stunning new Super 35 look FS5 II's all-new default look is specifically tuned to meet the requirements of today's content creators with rich mid-range colors, alluring facial tones and a softer tonal look tuned with the same expertise as Sony's world-leading VENICE digital cinematography camera. A little over two years ago, the Sony FS5 II compact cinema camera was released. Lastly, there is a dial for easy change of the aperture or other controls. A high resolution  0.39-inch OLED viewfinder enables precise manual focus and is perfectly offset for right-eye or left-eye viewing. Higher frame rates of 480 fps and 960 fps are possible at specific resolutions. Now, the big upgrade to the capability of this camera is what it can do when video is captured externally. The camera is about the size of a grapefruit, and the body only weighs 1.8 pounds. Get the best deals for sony pxw-fs5 ii at It can capture CinemaDNG and ProRes 444 internally. FS5 II has two XLR connecters – so even if you remove the handle with its standard, easy-access XLR connector then a second on the body is still available, making it ideal for applications such as shooting in a confined space, such as a car interior, or when mounting on a gimbal. The grip itself is easy to attach and can be installed with one hand holding the camera and the other the grip. This makes FS5 II ideal for fast-moving shoots in changeable environments – there’s no need to change filters as lighting conditions change and variable control makes it easy to keep depth of field under control. Each stop offers a bit more noise until you get to ISO 3,200, where it starts to be noticeable. At $3,499 USD the FS5 Mark II makes for a compelling option to a mirrorless or DSLR camera if you are just starting out and want an entry-level camera. Part one of Alister Chapman’s expert camcorder advice. This proprietary Sony technology significantly extends your ability to get closer to a remote scene while preserving image quality.  In addition to the seven standard picture profiles, the FS5 II has two flavors of log: S-log2 and S-log3.